Mona Awad “All’s Well” Book Discussion [Updated Sep 06]

Join in a virtual event with Mona Awad, author of “All’s Well.”

BOOK DISCUSSION DETAILS

[In Conversation with Bill Clegg]
September 9, 2021 @ 7:00 pm
Oblong Books & Music
Registration Link: https://www.oblongbooks.com/event/mona-awad-w-bill-clegg

About the Author:

Mona Awad is the author of 13 Ways of Looking at a Fat Girl, a finalist for the Scotiabank Giller Prize and winner of the Amazon Canada First Novel Award and Bunny, named a Best Book of 2019 by Time, Vogue, and The New York Public Librarya finalist for the New England Book Award, and currently in development as an AMC series written by Megan Mostyn-Brown. She has published work in The New York Times MagazineTime, VICEElectric LiteratureMcSweeney’s, and elsewhere. She begins teaching fiction fall 2020 in the MFA program at Syracuse. Awad currently lives in Boston.

About the Book:

From the author of Bunny, which Margaret Atwood hails as “genius,” comes a dazzling and darkly funny novel about a theater professor who is convinced staging Shakespeare’s most maligned play will remedy all that ails her—but at what cost?

A MOST ANTICIPATED BOOK OF SUMMER 2021 SELECTED BY * ENTERTAINMENT WEEKLY * VULTURE * LITHUB * REFINERY29 * GOODREADS * POPSUGAR * NOW MAGAZINE * BOSTON * AND MORE

“[A] sparkling valentine to the Bard. A dream of a novel, perfect for a midsummer night’s read.”OPRAH DAILY
“A dazzling wild ride of a novel—daring, fresh, entertaining, and magical.” —GEORGE SAUNDERS
“Wild and exhilarating and so fresh it takes your breath away.” —LAUREN GROFF
“Oh my lord what a fabulous novel—knocked me out!”—MARY KARR

Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.

That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.

With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged…genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

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